Zarina Hashmi Letters From Home. Web she mentioned that paper is like skin: Portfolio of woodcut chine collé and metalcut chine collé on paper.
Constellations Display at Tate Liverpool Tate
Zarina, interview with the wire. Handmade kozo paper and mounted on. Portfolio of woodcut chine collé and metalcut chine collé on paper. From the letters, the artist. Web this month’s cover features zarina hashmi’s ‘letters from home’, based on letters on the subject of family deaths and loss, written by her sister rani in urdu but that she had never sent. Letters from home is a portfolio of eight monochromatic woodblock and metalcut prints, produced using original letters written in urdu to zarina hashmi by her sister rani. Web she mentioned that paper is like skin: It has a fragility and resilience. It can be stained, pierced and moulded and it still has the capability of breathing and aging.
Web this month’s cover features zarina hashmi’s ‘letters from home’, based on letters on the subject of family deaths and loss, written by her sister rani in urdu but that she had never sent. It has a fragility and resilience. Letters from home is a portfolio of eight monochromatic woodblock and metalcut prints, produced using original letters written in urdu to zarina hashmi by her sister rani. Portfolio of woodcut chine collé and metalcut chine collé on paper. Web she mentioned that paper is like skin: It can be stained, pierced and moulded and it still has the capability of breathing and aging. Zarina, interview with the wire. Web this month’s cover features zarina hashmi’s ‘letters from home’, based on letters on the subject of family deaths and loss, written by her sister rani in urdu but that she had never sent. Handmade kozo paper and mounted on. From the letters, the artist.
